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home·artworks·Self Portrait
Self Portrait by Alejandro Cabeza

plate no. 7822

Self Portrait

Alejandro Cabeza, 2016

oil, canvasContemporary Realismself-portraitportraitmanhatglassesclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with subtle value changes. It also provides practice in capturing likeness and conveying a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, hat, and shoulders using light pencil lines.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones by layering and blending different shades of pink, yellow, and brown.

  4. step 04

    Pay close attention to the subtle variations in color and value on the face to create a realistic and three-dimensional effect.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Paint the hat and clothing, using similar layering and blending techniques to create depth and texture.

  7. step 07

    Add highlights and shadows to the glasses to create a sense of realism.

  8. step 08

    Make final adjustments to the colors, values, and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red light

secondary · viridian · ivory black

Mix skin tones by combining white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows and darker values. Mix viridian with burnt umber to create the greens for the hat and clothing.

techniques

  • ·alla prima
  • ·color mixing
  • ·layering
  • ·blending
  • ·value study

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Failing to capture the correct proportions of the face.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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