
plate no. 2429
Cuno Amiet, 1920
Recreating this painting will help students develop skills in color mixing, layering, and capturing likeness through expressive brushstrokes. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and background elements.
Establish the overall color scheme by applying thin washes of color to the canvas.
Begin building up layers of paint, focusing on the areas of light and shadow.
Mix colors directly on the canvas to achieve the desired hues and values.
Use short, broken brushstrokes to create texture and visual interest.
Pay close attention to the subtle color variations in the skin tones.
Refine the details of the face, such as the eyes, nose, and mouth.
Add final touches and highlights to complete the painting.
color palette
primary · titanium white · viridian green · alizarin crimson · yellow ochre
secondary · ultramarine blue · burnt umber · cadmium yellow
Achieve skin tones by mixing alizarin crimson, yellow ochre, and titanium white. Use viridian green and ultramarine blue for cooler shadows. Mix burnt umber and alizarin crimson for the darker areas of the hair and beard.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.
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