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home·artworks·Selbstbildnis
Selbstbildnis by Arthur Segal

plate no. 1159

Selbstbildnis

Arthur Segal, 1908

oilPost-Impressionismself-portraitportraitmanbeardfaceclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in capturing likeness and understanding light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Block in the main areas of color for the skin, hair, beard, clothing, and background.

  3. step 03

    Establish the light and shadow patterns on the face, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Refine the shapes of the facial features, paying attention to the angles and curves.

  5. step 05

    Add details to the hair, beard, and clothing, using short, directional brushstrokes.

  6. step 06

    Mix and apply subtle color variations to the skin tones to create a more naturalistic effect.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and dimension.

  8. step 08

    Add final details and highlights to complete the portrait.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Use blue and black to create darker shades. Green and black for background.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brush
  • ·color mixing
  • ·chiaroscuro

common pitfalls

  • →over-blending skin tones
  • →incorrect proportions
  • →inaccurate color matching
  • →ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a mid-tone value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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