
plate no. 1159
Arthur Segal, 1908
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in capturing likeness and understanding light and shadow.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.
Block in the main areas of color for the skin, hair, beard, clothing, and background.
Establish the light and shadow patterns on the face, using darker tones for shadows and lighter tones for highlights.
Refine the shapes of the facial features, paying attention to the angles and curves.
Add details to the hair, beard, and clothing, using short, directional brushstrokes.
Mix and apply subtle color variations to the skin tones to create a more naturalistic effect.
Adjust the values and colors throughout the painting to create a sense of depth and dimension.
Add final details and highlights to complete the portrait.
color palette
primary · titanium white · burnt umber · yellow ochre · cadmium red
secondary · ultramarine blue · viridian green · ivory black
Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Use blue and black to create darker shades. Green and black for background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a mid-tone value.
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