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home·artworks·Seascape with Venice in the Distance
Seascape with Venice in the Distance by Charles Cottet

plate no. 3023

Seascape with Venice in the Distance

Charles Cottet, 1896

oilPost-Impressionismmarinawaterskycloudsboatscityscapesunset
some experience helpful

Recreating this painting will help students develop skills in layering colors to create atmospheric perspective and capturing the reflections of light on water. It also provides practice in simplifying complex subjects into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, water, and distant land.

  2. step 02

    Establish the horizon line and the placement of the boats and cityscape.

  3. step 03

    Apply a thin wash of warm yellow and orange tones to the sky area.

  4. step 04

    Block in the cloud shapes with lighter, pinkish-yellow hues.

  5. step 05

    Paint the water with horizontal strokes, using a mix of yellows, oranges, and browns.

  6. step 06

    Add reflections of the sky and clouds to the water, using slightly darker values.

  7. step 07

    Define the distant cityscape and boats with dark, simplified shapes.

  8. step 08

    Add final details and highlights to the water and clouds to create depth and texture.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · raw umber · cadmium orange · alizarin crimson

Achieve the warm, golden tones by mixing yellow ochre with burnt sienna and a touch of white. Use alizarin crimson to create the pinkish hues in the clouds. Raw umber will create the darker tones for the distant land and reflections.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details in the water, losing the sense of movement.
  • →Creating too much contrast, making the painting appear harsh.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions in the distant cityscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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