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home·artworks·School-building of the Diablerets, in canton Vaud
School-building of the Diablerets, in canton Vaud by Hubertine Heijermans

plate no. 4693

School-building of the Diablerets, in canton Vaud

Hubertine Heijermans, 1986

etching, paperContemporary Realismlandscapebuildingmountainslandscapetreesfieldarchitecture
some experience helpful

This artwork is an etching, but can be recreated with pen and ink. Students will develop skills in line variation, cross-hatching, and creating depth through layering and texture.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, mountains, and foreground, paying attention to proportions.

  2. step 02

    Begin adding details to the building, focusing on the lines of the wood siding and window details.

  3. step 03

    Use cross-hatching to create shadows and depth on the building and roof.

  4. step 04

    Start defining the mountains in the background with varied line weights and directions to suggest texture and form.

  5. step 05

    Add the trees using short, broken lines to create a sense of foliage.

  6. step 06

    Develop the foreground by adding lines to represent grass and texture, varying the density to create depth.

  7. step 07

    Refine the details, adding more cross-hatching and line work to enhance the contrast and realism.

  8. step 08

    Add final touches to the sky and any other areas that need further definition.

color palette

primary · sepia ink · black ink

secondary · white paper

Vary the dilution of the ink with water to achieve different shades of brown and gray.

techniques

  • ·Cross-hatching
  • ·Line variation
  • ·Stippling
  • ·Hatching
  • ·Layering

common pitfalls

  • →Overworking the details and losing the overall composition.
  • →Creating lines that are too uniform and lack variation.
  • →Not paying attention to the direction of the lines, which can affect the sense of form and texture.
  • →Failing to create enough contrast between light and dark areas.

materials

surface · Smooth drawing paper

required

  • ·Fine-tipped drawing pens (various sizes)
  • ·Drawing paper
  • ·Pencil
  • ·Eraser
  • ·Ruler
  • ·Reference image

optional

  • ·Magnifying glass
  • ·Tracing paper
  • ·Ink washes

Use archival quality ink and paper to ensure the longevity of the artwork.

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