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home·artworks·Saturday Afternoon
Saturday Afternoon by Fred Yates

plate no. 9053

Saturday Afternoon

Fred Yates

oilNaïve Art (Primitivism)genre paintingbuildingsfiguresstreet scenetownshopsdogs
experienced study

Recreating this painting will help students develop skills in simplifying complex scenes and using a limited palette to create a cohesive artwork. It also encourages expressive brushwork and capturing the essence of a subject rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and layout of the buildings and street, focusing on perspective.

  2. step 02

    Divide the canvas into sections to manage the complex composition.

  3. step 03

    Block in the main areas of color using diluted washes of burnt sienna and white for the buildings and street.

  4. step 04

    Start adding figures, simplifying their forms and focusing on their general shapes and positions.

  5. step 05

    Use thicker paint and bolder brushstrokes to define the details of the buildings and figures.

  6. step 06

    Introduce the grey tones for the buildings on the right side of the painting.

  7. step 07

    Add small details like windows, doors, and signage with a fine brush.

  8. step 08

    Refine the overall composition and adjust values to create depth and interest.

color palette

primary · burnt sienna · titanium white · grey

secondary · black · yellow ochre · ultramarine blue

Mix burnt sienna with white to create a range of warm tones for the buildings and figures. Use varying amounts of white to achieve different values. Mix black and white to create the grey tones.

techniques

  • ·expressive brushwork
  • ·simplified forms
  • ·limited palette
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to simplify the forms and creating a cluttered composition.
  • →Not achieving enough variation in value, making the painting appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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