apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sardinero beach, Santander, Spain
Sardinero beach, Santander, Spain by Rubén de Luis

plate no. 1914

Sardinero beach, Santander, Spain

Rubén de Luis, 2022

oilPost-Impressionismlandscapebeachseaskypeoplehillsclouds
some experience helpful

This painting is great for practicing layering colors and creating the illusion of depth through atmospheric perspective. Students will also learn to simplify complex scenes and capture the essence of a landscape with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, land, and sea.

  2. step 02

    Block in the sky with light blue, adding white for clouds.

  3. step 03

    Paint the distant hills with muted greens and blues.

  4. step 04

    Establish the basic color of the sea with turquoise and white, adding darker blues for depth.

  5. step 05

    Lay down the base color for the sand using a mix of yellow ochre and white.

  6. step 06

    Add reflections in the wet sand with light blue and touches of yellow ochre.

  7. step 07

    Paint the figures with simple shapes and colors, focusing on their silhouettes.

  8. step 08

    Add final details like highlights on the waves and subtle variations in the sand.

color palette

primary · cerulean blue · yellow ochre · titanium white

secondary · viridian green · burnt sienna

Mix different blues and white for the sky and sea. Use yellow ochre and white for the sand, adding small amounts of burnt sienna for warmer tones. Mix greens with blue and yellow ochre for the hills.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and not capturing the atmospheric haze.
  • →Failing to establish a clear sense of depth.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov