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home·artworks·Sandy Laughner, Jr.
Sandy Laughner, Jr. by Richard Whitney

plate no. 7564

Sandy Laughner, Jr.

Richard Whitney

oilContemporary Realismportraitportraitfiguremanleather jackethairbeard
some experience helpful

Recreating this portrait will help students develop skills in accurate color mixing, capturing realistic skin tones, and rendering textures like hair and leather. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and jacket on the canvas.

  2. step 02

    Establish the background with a thin, even layer of neutral color.

  3. step 03

    Block in the main areas of color for the skin, hair, jacket, and sweater, focusing on accurate value relationships.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in color and value.

  5. step 05

    Develop the texture of the hair and beard using small, controlled brushstrokes.

  6. step 06

    Render the leather jacket, focusing on capturing the highlights and shadows that define its form and texture.

  7. step 07

    Refine the details of the sweater and any other visible clothing.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue and burnt umber to create neutral grays for shadows and the background. Mix ivory black with burnt umber for the leather jacket.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting to establish accurate value relationships early in the painting process.
  • →Getting lost in details before establishing the overall form and composition.
  • →Using too much paint, obscuring the underlying layers and losing luminosity.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, cadmium red, yellow ochre, ultramarine blue, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and drying time of the paint.

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oil painting for beginners →how to learn by studying the masters →
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