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home·artworks·Sanary landscape
Sanary landscape by Moise Kisling

plate no. 7602

Sanary landscape

Moise Kisling, 1937

oil, canvasPost-Impressionismlandscapelandscapetreeshillswaterbuildingsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to build texture. It's also a good exercise in simplifying complex scenes into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the horizon line, the large masses of trees and bushes, and the location of the building.

  2. step 02

    Block in the sky with a light blue, allowing for some variation in tone.

  3. step 03

    Establish the basic colors of the water, using a slightly darker and more saturated blue than the sky.

  4. step 04

    Begin layering in the greens of the foliage, starting with darker shades in the shadows and lighter shades in the highlights.

  5. step 05

    Add the building, using a muted grey or brown for the walls and a terracotta color for the roof.

  6. step 06

    Introduce variations in color within the foliage, using touches of yellow, brown, and even red to create visual interest.

  7. step 07

    Define the shapes of the trees and bushes with bolder brushstrokes, paying attention to the direction of the light.

  8. step 08

    Add final details, such as the dark trunks of the trees and the highlights on the water.

color palette

primary · viridian green · cerulean blue · yellow ochre

secondary · burnt sienna · titanium white · cadmium yellow

Mix greens by combining blues and yellows, and adjust the tone with white or burnt sienna. Achieve the sky color by mixing cerulean blue with white, and add a touch of yellow ochre for warmth. Use burnt sienna and white to create the building's color.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overmixing colors and creating muddy tones
  • →Losing the sense of depth by not varying the color and value of the foliage
  • →Focusing too much on detail and not enough on the overall impression
  • →Creating too much contrast too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·viridian green oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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