
plate no. 4923
George Caleb Bingham, 1839
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating realistic skin tones. It also provides practice in blending and layering techniques to achieve subtle gradations of light and shadow.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes and proportions of the figure and background.
Block in the main areas of color, starting with the background and then moving to the figure's clothing and skin.
Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.
Develop the values in the face, using highlights and shadows to create depth and dimension.
Add details to the clothing, such as the folds and creases in the fabric.
Refine the background landscape, adding details to the mountains, sky, and vegetation.
Add final highlights and details to the entire painting.
Varnish the painting for protection and to enhance the colors.
color palette
primary · ivory black · titanium white · burnt umber · cadmium red light
secondary · yellow ochre · ultramarine blue · raw sienna
Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of burnt umber. Dark areas are created by adding black and umber to the base colors. The background is a mix of umber, blue, and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.
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