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home·artworks·Sally Avery with Still Life
Sally Avery with Still Life by Milton Avery

plate no. 7054

Sally Avery with Still Life

Milton Avery, 1926

oilPost-Impressionismportraitfigureportraitstill lifeapplestablechair
some experience helpful

Recreating this painting will help students understand simplified forms and color blocking to create a cohesive composition. It also provides practice in capturing a likeness with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, chair, table, and bowl of apples, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color: dark background, skin tones, white dress, dark table, and apple colors.

  3. step 03

    Refine the shapes and colors of the figure, paying attention to the subtle shifts in skin tone and the folds of the dress.

  4. step 04

    Add details to the still life, focusing on the highlights and shadows on the apples and the rim of the bowl.

  5. step 05

    Develop the background with subtle variations in tone and texture.

  6. step 06

    Add visible brushstrokes to create texture and visual interest.

  7. step 07

    Refine edges and details to complete the painting.

  8. step 08

    Step back and adjust colors and values as needed to achieve a harmonious composition.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · viridian green · ultramarine blue

Mix skin tones with white, yellow ochre, and a touch of red. Achieve the dark background and table color by mixing black with a touch of blue and red. Create apple colors by mixing red, yellow, and green with varying amounts of white.

techniques

  • ·color blocking
  • ·simplified forms
  • ·visible brushstrokes
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle shifts in value and color.
  • →Ignoring the importance of visible brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a canvas with a medium texture to enhance the visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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