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home·artworks·Saint Teresa's dome from my studio
Saint Teresa's dome from my studio by Antonio Sicurezza

plate no. 9244

Saint Teresa's dome from my studio

Antonio Sicurezza, 1976

oilPost-Impressionismcityscapestill lifebottledomebuildingfruitteapot
some experience helpful

Recreating this painting will help students develop skills in painting glass reflections and creating depth through layering and color temperature. It also provides practice in capturing the texture of different objects with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the bottle, dome, and other objects.

  2. step 02

    Establish the background colors, starting with the sky and the building behind the bottle.

  3. step 03

    Block in the main colors of the bottle, paying attention to the highlights and shadows that create the glass effect.

  4. step 04

    Paint the dome, using a limited palette of earth tones and grays to create a sense of depth and distance.

  5. step 05

    Add the details of the fruit, teapot, and other objects, using small brushstrokes to capture their textures.

  6. step 06

    Refine the highlights and shadows throughout the painting, adjusting the values to create a sense of depth and realism.

  7. step 07

    Add final details and adjust colors as needed to achieve a cohesive and balanced composition.

  8. step 08

    Varnish the painting when dry to protect the surface and enhance the colors.

color palette

primary · viridian green · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix greens by combining viridian green with yellow ochre or ultramarine blue. Create grays and browns by mixing burnt umber with white and small amounts of blue or red.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·impasto
  • ·alla prima

common pitfalls

  • →Overblending the colors, which can result in a muddy or flat appearance.
  • →Neglecting the importance of value contrast, which can make the painting look dull and lifeless.
  • →Getting lost in the details too early, which can make it difficult to maintain a sense of the overall composition.
  • →Not paying enough attention to the reflections and refractions in the glass bottle.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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