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home·artworks·Saint Sophia Cathedral
Saint Sophia Cathedral by Yuriy Khymych

plate no. 4755

Saint Sophia Cathedral

Yuriy Khymych, 1964

gouachePost-Impressionismcityscapecathedralarchitectureskycloudsbuildingdomes
some experience helpful

Recreating this painting will help students develop skills in simplifying complex architectural forms and using a limited palette to create a sense of depth and atmosphere. It's also a good exercise in capturing light and shadow with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cathedral and the cloud formations, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a light blue-gray wash, using broad brushstrokes to suggest the clouds.

  3. step 03

    Establish the main color blocks for the cathedral: light gray for the walls, dark blue-green for the domes, and ochre for the golden elements.

  4. step 04

    Add details to the architecture, such as windows, arches, and decorative elements, using a smaller brush.

  5. step 05

    Refine the cloud shapes and add subtle variations in tone to create a sense of depth and volume.

  6. step 06

    Introduce shadows and highlights to the cathedral to enhance its three-dimensionality.

  7. step 07

    Add the details on the domes and crosses with gold and yellow hues.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · raw umber · cadmium yellow

Mix light grays by combining white with small amounts of blue and umber. Achieve the blue-green for the domes by mixing blue and yellow ochre. Create the golden tones by mixing yellow ochre with a touch of burnt sienna.

techniques

  • ·blocking
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overcomplicating the architectural details too early in the process.
  • →Using too many colors, which can muddy the overall effect.
  • →Failing to establish a clear sense of light and shadow.
  • →Losing the loose and expressive quality of the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gouache paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·palette knife
  • ·easel
  • ·ruler

Using a larger canvas will allow for more detail. Consider using a toned canvas to help establish the overall color scheme.

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related guides

color theory for painters →how to learn by studying the masters →
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