
plate no. 0328
Maxime Maufra, 1916
Recreating this painting will help students develop skills in layering colors to create texture and capturing atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the church, hills, and clouds.
Block in the sky with a thin layer of blue and gray, focusing on the cloud shapes.
Establish the basic color masses for the hills and foreground, using a mix of greens, browns, and yellows.
Begin layering colors on the church, using darker tones for shadows and lighter tones for highlights.
Add texture to the foreground using short, broken brushstrokes.
Refine the details of the church tower and roof, paying attention to the angles and proportions.
Adjust the values and colors throughout the painting to create depth and atmosphere.
Add final highlights and details to the clouds and foreground.
color palette
primary · yellow ochre · ultramarine blue · burnt umber · titanium white
secondary · sap green · cadmium yellow · raw sienna
Mix greens by combining ultramarine blue and cadmium yellow. Achieve earth tones by mixing burnt umber with yellow ochre and white. Use white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.
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