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home·artworks·Saint Cosmas and Saint Damian before Lisius
Saint Cosmas and Saint Damian before Lisius by Fra Angelico

plate no. 8183

Saint Cosmas and Saint Damian before Lisius

Fra Angelico, 1440

panel, temperaEarly Renaissancereligious paintingfiguresarchitecturereligious scenecolumnsrobesthrone
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through careful color and value relationships. It also provides practice in replicating the smooth, blended style of early Renaissance tempera painting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Block in the basic shapes and colors of the background, including the sky and architectural details.

  3. step 03

    Begin painting the figures, starting with the underpainting of the skin tones and robes.

  4. step 04

    Carefully build up the colors and values of the figures, adding details like folds in the drapery and facial features.

  5. step 05

    Paint the architectural elements, focusing on creating a sense of depth and perspective.

  6. step 06

    Add the details of the halos and other decorative elements.

  7. step 07

    Refine the painting by adding highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Apply a final varnish to protect the painting and enhance the colors.

color palette

primary · red · blue · yellow · white

secondary · pink · gold · green

Achieve the muted tones by mixing primary colors with white and small amounts of complementary colors. Use thin glazes to build up color depth and luminosity.

techniques

  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·drapery rendering
  • ·linear perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and perspective.
  • →Overworking the painting and losing the freshness of the original.

materials

surface · gessoed panel

required

  • ·gessoed panel
  • ·tempera paints
  • ·fine brushes
  • ·palette
  • ·water
  • ·soft cloth
  • ·ruler
  • ·pencil

optional

  • ·gold leaf
  • ·burnishing tool
  • ·varnish
  • ·easel

Use high-quality tempera paints for best results. Prepare the gessoed panel properly to ensure good adhesion of the paint.

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