apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Anthony (part of Tapestry in six paintings)
Saint Anthony (part of Tapestry in six paintings) by Niko Pirosmani

plate no. 5204

Saint Anthony (part of Tapestry in six paintings)

Niko Pirosmani

oil, oilclothNaïve Art (Primitivism)religious paintinglandscapefiguresanimalscartroadchurch
some experience helpful

Recreating this painting will help students practice simplified forms and explore atmospheric perspective by using lighter values for distant objects. It will also help with understanding how to create a sense of depth using size and placement.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the road, the cart, and the main groups of figures and animals.

  2. step 02

    Block in the large areas of color: sky, fields, trees, and the main elements of the cart and animals.

  3. step 03

    Add details to the cart, including the figures inside and the decorative patterns.

  4. step 04

    Paint the animals, focusing on their simplified shapes and positions.

  5. step 05

    Add the figures along the road and the church in the distance, using lighter values to create atmospheric perspective.

  6. step 06

    Refine the details of the trees and foliage, using darker greens and browns.

  7. step 07

    Add the birds in the sky and any other small details.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and details.

color palette

primary · dark green · brown · white · black

secondary · red · yellow · blue

Mix dark greens by combining dark blue and yellow, and lighten with white. Use browns by mixing red, yellow and black. Achieve lighter values for distant objects by adding white to the base colors.

techniques

  • ·blocking in
  • ·simplified forms
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overcomplicating the details of the figures and animals.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Not simplifying the forms enough.

materials

surface · oilcloth

required

  • ·Oil paints (dark green, brown, white, black, red, yellow, blue)
  • ·Canvas or oilcloth
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil or other painting medium
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish

Consider using a slightly textured canvas to mimic the surface of the original oilcloth. Use a limited palette to capture the simplicity of the original painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden