apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sail: In Two Movements
Sail: In Two Movements by Charles Demuth

plate no. 8821

Sail: In Two Movements

Charles Demuth, 1919

oilPrecisionismmarinaboatssailswatergeometric shapessky
some experience helpful

Recreating this painting will help students understand geometric abstraction and how to simplify complex forms into basic shapes. It also provides practice in color mixing and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and lines defining the boats, sails, and water.

  2. step 02

    Block in the main areas of color using diluted washes, starting with the lightest tones.

  3. step 03

    Gradually build up the darker values in the sails and water, defining the shapes more clearly.

  4. step 04

    Mix and apply the subtle pink and yellow hues in the sky and sails.

  5. step 05

    Add the dark lines representing the masts and other structural elements.

  6. step 06

    Refine the edges of the shapes and adjust the values to create depth and contrast.

  7. step 07

    Add any final details or highlights.

  8. step 08

    Allow to dry completely.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · alizarin crimson · burnt umber

Mix blues and whites for the sky and water. Use yellow ochre and white for the sails. Add alizarin crimson to blue for the purplish shadows. Burnt umber can be used for the masts and darker areas.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·value studies
  • ·linear perspective
  • ·glazing

common pitfalls

  • →Overcomplicating the shapes
  • →Using too many colors
  • →Not paying attention to value relationships
  • →Creating muddy colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (#2, #6)
  • ·flat brush (#4)
  • ·palette
  • ·water
  • ·pencil

optional

  • ·palette knife
  • ·ruler
  • ·masking tape

Use a medium-grain canvas for best results. Acrylics are recommended for their quick drying time and ease of use.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Perryville Station

Perryville Station

Martyl Langsdorf

Tree of My Life

Tree of My Life

Joseph Stella

New England Irrelevancies

New England Irrelevancies

Charles Sheeler

From Brooklyn Heights

From Brooklyn Heights

George Ault

Blue Morning Glory

Blue Morning Glory

Georgia O'Keeffe

Ghost Ranch Painting

Ghost Ranch Painting

Georgia O'Keeffe

The Red Hat

The Red Hat

Joseph Stella

Plums

Plums

Charles Demuth