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home·artworks·S. Girolamo
S. Girolamo by Julius Bissier

plate no. 3880

S. Girolamo

Julius Bissier, 1919

oilPost-Impressionismreligious paintingmountainstreesfigurelandscapeskyanimal
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in simplifying complex forms into basic shapes. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, trees, and figures using light pencil lines.

  2. step 02

    Block in the main areas of color using thinned washes of paint, starting with the sky and distant mountains.

  3. step 03

    Gradually build up layers of color on the mountains and trees, adding darker values in the shadows and lighter values in the highlights.

  4. step 04

    Define the shapes of the trees and figures with more detail, using smaller brushes.

  5. step 05

    Add highlights to the figures and animal to create a focal point.

  6. step 06

    Refine the details of the landscape, such as the texture of the rocks and the foliage of the trees.

  7. step 07

    Add final touches of light and shadow to create depth and atmosphere.

  8. step 08

    Allow to dry and varnish if desired.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna · ivory black

Mix yellow ochre and burnt umber to create the warm tones of the mountains and trees. Use ultramarine blue and titanium white for the sky. Add small amounts of ivory black to darken the shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much paint and creating a muddy effect.
  • →Failing to create enough contrast between light and shadow.
  • →Not simplifying the complex forms of the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a canvas with a medium texture to allow for layering and dry brushing. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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