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home·artworks·Ruins of the Forum, Rome
Ruins of the Forum, Rome by Bernardo Bellotto

plate no. 3935

Ruins of the Forum, Rome

Bernardo Bellotto, 1743

oil, canvasRocococityscaperuinsarchitecturefigurescityscapeskycolumns
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with subtle value changes. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins, buildings, and figures.

  2. step 02

    Establish the sky with a light blue base and add soft, diffused clouds.

  3. step 03

    Block in the large shapes of the buildings and ruins using a limited palette of earth tones.

  4. step 04

    Gradually build up the details of the architecture, paying attention to the subtle variations in color and value.

  5. step 05

    Add the figures, using small brushstrokes to suggest their forms and clothing.

  6. step 06

    Refine the foreground with details of grass, shadows, and small rocks.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of gray and brown by combining raw umber, white, and small amounts of blue or yellow ochre. Use thin washes of burnt sienna to create warm tones in the buildings and ruins.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast and making the painting look harsh.
  • →Incorrect perspective, especially in the architecture.
  • →Making the figures too detailed and distracting from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2-6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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