apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rue Jean Durand Et L'église, Stains (Seine Saint Denis)
Rue Jean Durand Et L'église, Stains (Seine Saint Denis) by Maurice Utrillo

plate no. 7354

Rue Jean Durand Et L'église, Stains (Seine Saint Denis)

Maurice Utrillo, 1940

oil, canvasPost-Impressionismcityscapebuildingsstreetchurchskywindowsshutters
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for muted tones, and capturing the texture of old buildings with visible brushstrokes. It's a good exercise in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and church, focusing on perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the main color blocks for the buildings, using a limited palette of earth tones and white.

  4. step 04

    Add details to the buildings, such as windows, shutters, and doors, using darker values.

  5. step 05

    Paint the street with a mix of browns, grays, and yellows, suggesting the texture of the pavement.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the church steeple and other architectural elements.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · cerulean blue · cadmium orange · viridian green

Achieve the muted colors by mixing earth tones with white and small amounts of complementary colors to desaturate them. For the sky, mix white with a touch of blue.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·one-point perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too bright or saturated.
  • →Ignoring the perspective and creating a flat, unrealistic composition.
  • →Not establishing a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov