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home·artworks·Rue Dulm Pantheon
Rue Dulm Pantheon by Edouard Cortes

plate no. 4556

Rue Dulm Pantheon

Edouard Cortes

oilPost-Impressionismcityscapecityscapebuildingsfigurescarsstreetsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the reflections on wet surfaces. It also provides practice in rendering complex architectural details with simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the placement of the Pantheon.

  2. step 02

    Establish the overall warm color tone of the sky and the reflected light on the street.

  3. step 03

    Block in the large shapes of the buildings, using a limited palette of browns, grays, and yellows.

  4. step 04

    Add the figures and cars, paying attention to their relative sizes and positions within the scene.

  5. step 05

    Develop the details of the buildings, including windows, architectural features, and shadows.

  6. step 06

    Create the reflections on the wet street using horizontal brushstrokes and varying values.

  7. step 07

    Add highlights and details to the figures and cars to bring them to life.

  8. step 08

    Refine the overall painting, adjusting colors, values, and details as needed.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red · ivory black

Mix warm grays by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white to create the warm glow of the sky and reflected light. Add small amounts of cadmium red for warmer tones in the buildings and figures.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Getting the perspective of the buildings wrong.
  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to capture the subtle color variations in the sky and reflections.
  • →Making the figures and cars too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for texture. Consider using a toned canvas to establish the warm undertones of the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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