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home·artworks·Rue des Saules in Montmartre
Rue des Saules in Montmartre by Santiago Rusinol

plate no. 5288

Rue des Saules in Montmartre

Santiago Rusinol

oilPost-Impressionismcityscapestreetbuildingstreesskycityscapefigure
some experience helpful

This painting allows students to practice atmospheric perspective and rendering architectural forms with simplified shapes and colors. It also provides an opportunity to explore limited color palettes and expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of buildings.

  2. step 02

    Establish the sky and overall atmospheric tone with a thin wash of muted colors.

  3. step 03

    Block in the main shapes of the buildings, using darker values for shadows and lighter values for highlights.

  4. step 04

    Add details to the buildings, such as windows, doors, and architectural features, using small brushstrokes.

  5. step 05

    Paint the street, varying the colors and values to create depth and texture.

  6. step 06

    Add the bare tree branches, using a fine brush and a dark color.

  7. step 07

    Introduce the figure in the distance, keeping it simple and small.

  8. step 08

    Refine the details and add final touches to the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and white for the buildings, and add touches of burnt sienna for warmth. Mix ultramarine blue and burnt sienna for the darker areas.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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