apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rua em São João del Rey
Rua em São João del Rey by Jose Pancetti

plate no. 8043

Rua em São João del Rey

Jose Pancetti, 1945

oilPost-Impressionismlandscapehillsbuildingsvillageskyhousespath
some experience helpful

This painting helps students practice creating depth through atmospheric perspective and simplifying complex scenes into basic shapes. Students will also learn to mix earth tones and create a sense of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hills, buildings, and path, paying attention to perspective.

  2. step 02

    Block in the sky with a light, neutral color.

  3. step 03

    Apply a base layer of color to the hills, using darker tones in the foreground and lighter tones in the background.

  4. step 04

    Add the basic shapes of the buildings, using simplified forms and colors.

  5. step 05

    Define the path with a lighter color and add shadows to create depth.

  6. step 06

    Add details to the buildings, such as roofs, windows, and doors.

  7. step 07

    Refine the colors and values of the hills and buildings, adding highlights and shadows.

  8. step 08

    Add the figure and any other small details.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium orange · ultramarine blue

Mix earth tones by combining raw umber, yellow ochre, and white. Add small amounts of burnt sienna or cadmium orange for warmth, or ultramarine blue for coolness.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·simplified shapes
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Failing to create a sense of depth.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov