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home·artworks·Royal Elephant at the Gateway to the Jami Masjid, Mathura
Royal Elephant at the Gateway to the Jami Masjid, Mathura by Edwin Lord Weeks

plate no. 7417

Royal Elephant at the Gateway to the Jami Masjid, Mathura

Edwin Lord Weeks, 1895

oil, canvasOrientalismgenre paintingelephantarchitecturefiguresstepsgatewayIndian scene
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details, capturing the texture of different surfaces, and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and composition, focusing on the perspective of the architecture and the placement of the elephant.

  2. step 02

    Block in the large areas of color, starting with the sky, the building's facade, and the elephant's body.

  3. step 03

    Gradually build up the details of the architecture, paying attention to the patterns and textures.

  4. step 04

    Work on the elephant, layering colors to create the texture of its skin and the details of its decorations.

  5. step 05

    Add the figures and other elements in the scene, paying attention to their relative sizes and positions.

  6. step 06

    Refine the details and add highlights and shadows to create depth and dimension.

  7. step 07

    Pay close attention to the lighting and how it affects the colors and values in the scene.

  8. step 08

    Add final details like the birds and the small figures in the background.

color palette

primary · raw umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · burnt sienna · sap green

Achieve the warm tones of the building by mixing raw umber, yellow ochre, and a touch of cadmium red. Create the elephant's skin tone by mixing raw umber, titanium white, and a hint of ultramarine blue.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Inaccurate perspective on the architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to establish values.

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