
plate no. 6059
Augustus John, 1916
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and blending skin tones. It also provides practice in creating depth using subtle color variations and brushwork.
technical profile
approach — 8 steps
Create a light sketch of the boy's head and shoulders, paying attention to proportions and placement on the canvas.
Block in the main areas of color: skin tones, hair, jacket, and background.
Start refining the skin tones, using subtle variations of color to create form and depth.
Work on the details of the face, such as the eyes, nose, and mouth, using smaller brushes.
Develop the jacket and tie, paying attention to the folds and shadows.
Add details to the background, using loose brushstrokes to suggest foliage.
Refine the overall composition, adjusting colors and values as needed.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · raw umber · ultramarine blue · cadmium red light
secondary · yellow ochre · burnt sienna · ivory black
Mix skin tones using titanium white, cadmium red light, yellow ochre, and a touch of raw umber. Achieve the jacket color by mixing ultramarine blue and raw umber, adding white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to create a more unified color scheme.
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