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home·artworks·Robin John
Robin John by Augustus John

plate no. 6059

Robin John

Augustus John, 1916

oilPost-Impressionismportraitportraitfigureboyjacketbackgroundtie
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and blending skin tones. It also provides practice in creating depth using subtle color variations and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the boy's head and shoulders, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the main areas of color: skin tones, hair, jacket, and background.

  3. step 03

    Start refining the skin tones, using subtle variations of color to create form and depth.

  4. step 04

    Work on the details of the face, such as the eyes, nose, and mouth, using smaller brushes.

  5. step 05

    Develop the jacket and tie, paying attention to the folds and shadows.

  6. step 06

    Add details to the background, using loose brushstrokes to suggest foliage.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red light

secondary · yellow ochre · burnt sienna · ivory black

Mix skin tones using titanium white, cadmium red light, yellow ochre, and a touch of raw umber. Achieve the jacket color by mixing ultramarine blue and raw umber, adding white for highlights.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·loose brushwork
  • ·layering

common pitfalls

  • →Overblending skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring subtle color variations in the skin and clothing.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·#4 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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