
plate no. 3090
From the record
from the sources
The painting depicts Alan Messersmith, a neighbor of Wyeth in Chadds Ford who modeled for several paintings. collections.brandywine.org
“Here he portrays Alan Messersmith, Wyeth’s Chadds Ford neighbor and a model for several paintings over the years.”
The scene shows Messersmith selling chestnuts from a barrel along Route 202 in Chadds Ford, which was rural at the time. collections.brandywine.org
“He is shown selling chestnuts out of a barrel along what was then rural Route 202 in Chadds Ford.”
The museum says the painting conveys winter through its sky and the light crossing the road. collections.brandywine.org
“Wyeth captures the feeling of winter in the sky and in the light that breaks across the road.”
The museum describes the shadows, sunlight and track marks as forming an abstract pattern that draws the viewer into the scene. collections.brandywine.org
“The shadows, sunlight and track marks in front of Messersmith create an abstract pattern that draws the viewer into the scene, punctuated by the elongated figure of Messersmith.”
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, barrel, and horizon line.
Block in the large areas of color: sky, water, field, and the figure's clothing.
Establish the value structure, paying attention to the light source and shadows.
Begin adding details to the figure, focusing on the folds of the clothing and facial features.
Develop the textures of the field and barrel using dry brush techniques.
Refine the reflections in the water and the highlights on the barrel.
Add final details, such as the small branches in the background and the texture of the ground.
Adjust values and colors as needed to create a cohesive and realistic image.
color palette
primary · raw umber · titanium white · ultramarine blue
secondary · burnt sienna · yellow ochre · payne's gray
Achieve the muted tones by mixing complementary colors and using white to adjust values. Use thin washes of color to build up depth and complexity.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to facilitate dry brush techniques. Consider using a limited palette to simplify the color mixing process.
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