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home·artworks·Road Towards the Drinking Fountain, Balcic
Road Towards the Drinking Fountain, Balcic by Nicolae Darascu

plate no. 2593

Road Towards the Drinking Fountain, Balcic

Nicolae Darascu, 1930

oilPost-Impressionismlandscapebuildingslandscapefigureshillsideskyroad
some experience helpful

This painting is great for practicing color mixing to achieve muted tones and learning how to create depth using atmospheric perspective. Students will also develop skills in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hillside, and figures, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin layer of greyish-white, establishing the overall tone.

  3. step 03

    Establish the main color blocks for the hillside, buildings, and road, using a limited palette.

  4. step 04

    Add details to the buildings, such as windows and rooflines, using darker and lighter tones.

  5. step 05

    Paint the figures, paying attention to their proportions and placement within the scene.

  6. step 06

    Refine the details of the hillside, adding texture and variation with short, broken brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and composition.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Mix white with raw umber and yellow ochre to create the base tones for the buildings and hillside. Use burnt sienna and cadmium red for the roof tiles and figure accents. Mix viridian with raw umber for the greens.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright
  • →Ignoring the overall value structure
  • →Not simplifying the forms enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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