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home·artworks·Road near Mont Sainte-Victoire
Road near Mont Sainte-Victoire by Paul Cezanne

plate no. 9603

Road near Mont Sainte-Victoire

Paul Cezanne, 1902

oil, canvasPost-Impressionismlandscapemountaintreeslandscapeskybuildingroad
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and learn to apply broken color techniques to create texture and form. It will also teach them how to simplify complex scenes into geometric shapes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, trees, and building, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a light blue, using broken brushstrokes to suggest clouds.

  3. step 03

    Establish the basic colors of the mountain, using a mix of blues, grays, and greens.

  4. step 04

    Paint the trees and foliage with various shades of green, yellow, and brown, using short, choppy brushstrokes.

  5. step 05

    Add the building with a warm yellow, paying attention to its simple geometric form.

  6. step 06

    Define the road with a light yellow-brown, using broken brushstrokes to create texture.

  7. step 07

    Refine the details of the mountain, trees, and building, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as small details in the foreground and subtle variations in the sky.

color palette

primary · cerulean blue · yellow ochre · viridian green · titanium white

secondary · burnt sienna · cadmium yellow · ultramarine blue

Mix greens by combining blue and yellow, and grays by mixing complementary colors. Use white to lighten colors and create subtle variations.

techniques

  • ·Broken color
  • ·Impasto
  • ·Color temperature variations
  • ·Simplifying forms
  • ·Layering

common pitfalls

  • →Over-blending colors, resulting in a flat, lifeless appearance.
  • →Getting bogged down in details too early.
  • →Not paying attention to the underlying geometric structure of the scene.
  • →Using colors straight from the tube without mixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (flat and round)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Viewfinder

Use good quality oil paints for best results. A medium-textured canvas will help to create a more textured surface.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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