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home·artworks·River Scene
River Scene by Edward Mitchell Bannister

plate no. 4867

River Scene

Edward Mitchell Bannister, 1883

oilTonalismlandscaperivertreesboatfiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle color variations to create depth and mood. Students will also learn to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and figures.

  2. step 02

    Establish the sky with a thin wash of warm yellows and oranges, blending into cooler grays towards the top.

  3. step 03

    Block in the distant trees and hills with muted greens and browns, keeping the values darker than the sky.

  4. step 04

    Paint the river using horizontal strokes, reflecting the colors of the sky and surrounding landscape.

  5. step 05

    Add the large tree on the left, using a variety of greens and browns to create texture and depth.

  6. step 06

    Paint the grassy foreground with loose, vertical strokes, varying the greens and adding highlights.

  7. step 07

    Add the boat and figures, keeping them relatively small and indistinct.

  8. step 08

    Refine the details and add final touches, such as highlights on the water and foliage.

color palette

primary · yellow ochre · burnt umber · sap green

secondary · titanium white · cadmium orange · ultramarine blue

Mix muted greens by combining sap green with burnt umber and a touch of blue. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Making the figures too prominent.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, burnt umber, sap green, titanium white, cadmium orange, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall mood.

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