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home·artworks·Rip-Tide
Rip-Tide by Edith Vonnegut

plate no. 5863

Rip-Tide

Edith Vonnegut

oilNaïve Art (Primitivism)genre paintingfigureswaterboatskymoonlightchildren
some experience helpful

This painting offers practice in rendering figures with simplified forms and creating a sense of depth through atmospheric perspective. Students will also learn to mix skin tones and depict water reflections.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the proportions of the figures.

  2. step 02

    Block in the background with dark blues and browns, creating a gradient towards the horizon.

  3. step 03

    Establish the base skin tones for the figures using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Add highlights and shadows to the figures to define their forms, using lighter and darker variations of the base skin tone.

  5. step 05

    Paint the water with horizontal brushstrokes, reflecting the colors of the sky and figures.

  6. step 06

    Add small details like the boat, the children's hair, and the cloth around the figure's waist.

  7. step 07

    Refine the edges and details, ensuring a cohesive and balanced composition.

  8. step 08

    Add the moonlight reflection on the water.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · cadmium yellow · alizarin crimson

Skin tones are achieved with white, yellow ochre, and small amounts of red. Darker tones are made by adding burnt sienna and raw umber. Water is mixed with blues and browns, lightened with white for reflections.

techniques

  • ·figure drawing
  • ·color mixing
  • ·atmospheric perspective
  • ·simplified forms
  • ·wet-on-dry blending

common pitfalls

  • →Overcomplicating the forms of the figures.
  • →Using too many colors and creating a muddy palette.
  • →Ignoring the proportions of the figures.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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