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Repose by Thomas Dewing

plate no. 8495

Repose

Thomas Dewing, 1921

oilTonalismportraitfigureportraitchairtableinteriordress
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, creating soft edges, and capturing the effects of light and shadow to create a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure, chair, and table.

  2. step 02

    Establish the overall warm tone of the painting by applying a thin, diluted wash of yellow ochre or raw sienna.

  3. step 03

    Block in the main shapes of the figure, chair, and table with slightly darker values of the base color.

  4. step 04

    Begin to refine the figure's features and the folds of the dress, using subtle variations in value and color temperature.

  5. step 05

    Add details to the chair and table, paying attention to the way light interacts with the surfaces.

  6. step 06

    Soften edges and blend colors to create a hazy, atmospheric effect.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and form.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · yellow ochre · raw sienna · burnt umber

secondary · titanium white · ivory black · alizarin crimson

Achieve the subtle variations in tone by mixing the primary colors with white or black. Use small amounts of alizarin crimson to warm up the shadows and add depth.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·tonal layering
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated or bright.
  • →Creating hard edges that detract from the softness of the painting.
  • →Failing to establish a strong tonal foundation before adding details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·alizarin crimson oil paint
  • ·soft cloth

Use a fine-weave canvas to allow for smooth blending and subtle details. Consider toning the canvas with a thin wash of raw sienna before beginning to paint.

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