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home·artworks·Reinforcements: Troops Marching
Reinforcements: Troops Marching by Grace Cossington Smith

plate no. 6940

Reinforcements: Troops Marching

Grace Cossington Smith, 1917

oilPost-Impressionismgenre paintingbuildingsfigurescrowdsoldiersflagsparade
some experience helpful

This painting is great for learning about simplifying complex scenes and using visible brushstrokes to create texture and form. Students can practice color mixing to achieve the muted tones and explore the use of repetitive shapes to suggest a crowd.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings, crowd, and figures.

  2. step 02

    Block in the main colors of the buildings, sky, and ground using thin washes.

  3. step 03

    Start adding details to the buildings, using short, visible brushstrokes to define windows and architectural features.

  4. step 04

    Begin painting the crowd, using simplified shapes and colors to represent the soldiers and spectators.

  5. step 05

    Add details to the foreground figures, paying attention to their clothing and gestures.

  6. step 06

    Define the flags and other small details with bolder colors and brushstrokes.

  7. step 07

    Refine the overall composition and add highlights and shadows to create depth.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · cadmium red · ultramarine blue · sap green

Mix yellow ochre and white for the buildings, raw umber and blue for the soldiers' uniforms, and red and white for the flags. Use small amounts of blue and green to create shadows and variations in the crowd.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and failing to capture the overall impression.
  • →Using colors that are too bright or saturated.
  • →Creating a flat, lifeless composition by not paying attention to value contrasts.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·turpentine or mineral spirits (for cleaning oil brushes)

Use a medium-sized canvas to allow for sufficient detail. Acrylics are a good option for beginners due to their fast drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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