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home·artworks·Regulars at Lucky's
Regulars at Lucky's by Joseph Lorusso

plate no. 7773

Regulars at Lucky's

Joseph Lorusso

oilContemporary Realismgenre paintingfigurestablenewspapersinteriorrestaurantglass
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a realistic setting with subtle lighting and learn to create depth using value and color temperature changes. It also provides practice in capturing the textures of different materials with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the main color areas: the skin tones, clothing, table, and background.

  4. step 04

    Refine the skin tones, paying attention to the subtle shifts in color and value.

  5. step 05

    Develop the details of the clothing, newspapers, and other objects on the table.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the background, capturing the subtle variations in color and texture.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red light · sap green

Mix various browns and grays by combining burnt umber, yellow ochre, ultramarine blue, and white. Use small amounts of cadmium red to warm up skin tones and browns. Add sap green to create the subtle green hues in the background.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Overblending the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle shifts in value and color temperature.
  • →Ignoring the importance of edges in creating depth and form.
  • →Getting lost in details too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red light, sap green)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·selection of brushes (round and flat)
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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