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home·artworks·Regent Street
Regent Street by William Orpen

plate no. 8430

Regent Street

William Orpen, 1910

oilPost-Impressionismcityscapecityscapestreetbuildingsnightcarriagesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effect of light at night. It also provides practice in rendering complex architectural forms in a simplified manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic shapes of the buildings and street layout.

  2. step 02

    Block in the large areas of color, focusing on the overall tonal values.

  3. step 03

    Establish the darkest darks and lightest lights to create a sense of depth and atmosphere.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushstrokes.

  5. step 05

    Paint the figures and carriages, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Add highlights to the street and buildings to create a sense of light and reflection.

  7. step 07

    Refine the details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Add final touches, such as subtle variations in color and texture.

color palette

primary · raw umber · ivory black · yellow ochre

secondary · titanium white · burnt sienna

Mix raw umber and ivory black for the dark tones, adding yellow ochre and white to create lighter, warmer tones. Use burnt sienna for subtle accents and to warm up the shadows.

techniques

  • ·atmospheric perspective
  • ·tonal painting
  • ·scumbling
  • ·glazing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Not simplifying the forms of the figures and carriages.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the overall tonal values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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