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home·artworks·Reflexion
Reflexion by Roderic O'Conor

plate no. 9162

Reflexion

Roderic O'Conor, 1905

oilPost-Impressionismportraitfigurewomanhairbookchairportrait
some experience helpful

This painting offers a good opportunity to practice loose brushwork and capturing light and shadow on a figure. Students can learn to simplify forms and focus on the overall impression rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and book.

  2. step 02

    Block in the main color areas with thin washes, focusing on the overall color harmony.

  3. step 03

    Start building up layers of paint, using thicker brushstrokes to define the form.

  4. step 04

    Pay attention to the light source and how it affects the colors and values.

  5. step 05

    Add details to the face and hair, but keep the overall style loose and impressionistic.

  6. step 06

    Refine the edges and shapes, making sure they are not too sharp or defined.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · ivory black

Mix yellow ochre and white for the hair, adding touches of burnt sienna for warmth. Use red and blue to create the darker tones in the background and clothing. Mix white with small amounts of red and yellow for skin tones.

techniques

  • ·loose brushwork
  • ·color mixing
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →overworking the details
  • →using too much paint
  • →getting the proportions wrong
  • →not paying attention to the light source

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, burnt sienna, titanium white, cadmium red, ultramarine blue, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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