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Red Roofs by Roderic O'Conor

plate no. 8588

Red Roofs

Roderic O'Conor, 1894

oilPost-Impressionismlandscapehousestreesskylandscapebuildingsfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also encourages observation of color temperature and how it affects the overall mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses and foliage, paying attention to the composition.

  2. step 02

    Block in the sky with a light, muted blue-green color.

  3. step 03

    Establish the dark values in the trees and the roofs of the houses.

  4. step 04

    Begin layering colors in the foliage, using greens, yellows, and blues to create depth and texture.

  5. step 05

    Add the red and purple tones to the roofs, varying the color slightly to suggest light and shadow.

  6. step 06

    Develop the details of the houses, including the windows and any architectural features.

  7. step 07

    Refine the brushwork, using short, broken strokes to create a sense of movement and energy.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · Prussian Blue · Cadmium Yellow · Alizarin Crimson · Titanium White

secondary · Viridian Green · Ultramarine Blue

Mix greens by combining Prussian Blue and Cadmium Yellow. Create variations in the foliage by adding small amounts of Alizarin Crimson or Titanium White. Achieve the roof colors by mixing Alizarin Crimson with small amounts of Prussian Blue and Burnt Umber.

techniques

  • ·Impasto
  • ·Broken Color
  • ·Layering
  • ·Color Temperature
  • ·Scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating too much detail too early in the process.
  • →Ignoring the importance of value contrast.
  • →Using too much paint, leading to a thick, uneven surface.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian Blue, Cadmium Yellow, Alizarin Crimson, Titanium White, Viridian Green, Ultramarine Blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retarder medium
  • ·Easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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