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Red roofs by Panayiotis Tetsis

plate no. 8198

Red roofs

Panayiotis Tetsis

oilPost-Impressionismcityscapebuildingsroofscityscapeshadowstreeschimneys
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and practice color mixing to achieve subtle variations in tone. It also provides practice in observing and rendering light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and roofs, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color for the buildings, roofs, and foliage using simplified, flat tones.

  3. step 03

    Mix and apply the shadow colors, paying attention to the direction of light and the shapes of the shadows.

  4. step 04

    Refine the shapes of the buildings and roofs, adding details like windows and chimneys.

  5. step 05

    Add subtle variations in color and tone to create depth and dimension.

  6. step 06

    Define the edges of the shapes with slightly darker or lighter tones.

  7. step 07

    Add final details like the cross on the chimney and the texture of the foliage.

  8. step 08

    Step back and make any necessary adjustments to the composition and color balance.

color palette

primary · yellow ochre · burnt sienna · olive green

secondary · titanium white · ultramarine blue · raw umber

Mix yellow ochre with small amounts of burnt sienna and white to achieve the various shades of the buildings. Use olive green mixed with raw umber and white for the foliage. Create the roof color by mixing burnt sienna with a touch of raw umber.

techniques

  • ·blocking in
  • ·color mixing
  • ·simplification of forms
  • ·rendering shadows
  • ·edge control

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in tone.
  • →Not paying attention to the direction of light.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Yellow ochre
  • ·Burnt sienna
  • ·Olive green
  • ·Titanium white
  • ·Round brushes (#4, #6)
  • ·Flat brush (#8)

optional

  • ·Palette knife
  • ·Medium (for oil paints)
  • ·Easel

Use a limited palette to achieve color harmony. Consider using a toned canvas to simplify the initial blocking in stage.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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