
plate no. 9005
Roderic O'Conor, 1906
This painting provides practice in rendering the human form with subtle color variations and loose brushwork. Students will learn to capture light and shadow on skin and create a sense of depth through color temperature.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and furniture.
Establish the background colors, blocking in the general tones of the wall and furniture.
Begin layering the skin tones, focusing on the subtle shifts in color and value.
Define the form of the figure by adding shadows and highlights, paying attention to the light source.
Add details to the furniture and background, using loose brushstrokes to create texture.
Refine the edges of the figure and objects, softening or sharpening them as needed.
Add final highlights and shadows to enhance the sense of depth and realism.
Step back and assess the overall composition, making any necessary adjustments.
color palette
primary · titanium white · yellow ochre · raw umber · alizarin crimson
secondary · ultramarine blue · burnt sienna · cadmium yellow
Skin tones can be achieved by mixing white, yellow ochre, and small amounts of red and umber. Use blue and umber to create cooler shadows. Mix yellow and white for highlights on the pillow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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