apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ready to Start Self-Portrait, 6 octobre 1917
Ready to Start Self-Portrait, 6 octobre 1917 by William Orpen

plate no. 9817

Ready to Start Self-Portrait, 6 octobre 1917

William Orpen, 1917

oilPost-Impressionismself-portraitself-portraitstill lifewindowbottlesinteriorsoldier
some experience helpful

Recreating this painting will help students develop skills in layering colors, capturing reflected light, and creating depth through atmospheric perspective. It also provides practice in rendering various textures, from glass to fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the major elements.

  2. step 02

    Block in the large areas of color, focusing on the overall values and relationships between the different parts of the painting.

  3. step 03

    Develop the background elements, such as the building outside the window and the patterned wallpaper, paying attention to the subtle color variations.

  4. step 04

    Start working on the still life elements on the table, building up the forms and details of the bottles, glass, and books.

  5. step 05

    Focus on the self-portrait, carefully observing the light and shadow on the face and helmet.

  6. step 06

    Add details to the fur collar, using short, broken brushstrokes to create texture.

  7. step 07

    Refine the details and adjust the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · gray · green · red · white

secondary · yellow · blue · brown

Mix various shades of gray by combining white, black, and small amounts of other colors like blue or brown. Achieve the green hues by mixing blues and yellows, and adjust the intensity with white or brown.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the different elements.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov