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home·artworks·Ray Embankment in Basel in the rain
Ray Embankment in Basel in the rain by Alexandre Benois

plate no. 9403

Ray Embankment in Basel in the rain

Alexandre Benois, 1896

gouache, cardboardPost-Impressionismgenre paintingcityscaperiverfiguresrainbuildingstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a rainy day. It also provides practice in rendering reflections and figures in motion.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the buildings, riverbank, figures, and trees.

  2. step 02

    Apply a light wash of diluted grey/brown to establish the overall tone of the sky and water.

  3. step 03

    Add darker washes to define the buildings and trees in the background, using atmospheric perspective to suggest distance.

  4. step 04

    Paint the figures and their reflections, paying attention to their posture and movement in the rain.

  5. step 05

    Add details to the riverbank and buildings, using small brushstrokes to create texture.

  6. step 06

    Use a fine brush to add the bare branches of the trees in the foreground.

  7. step 07

    Add highlights to the wet surfaces to suggest the light reflecting off the rain.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · grey · brown · beige

secondary · red · dark blue · white

Mix various shades of grey and brown by combining complementary colors like burnt umber and ultramarine blue with white. Use diluted washes to create subtle gradations of tone.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·rendering reflections
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and bright.
  • →Failing to create a sense of depth and distance.
  • →Inaccurately rendering the reflections in the water.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Gouache paints (grey, brown, beige, red, dark blue, white)
  • ·Round brushes (various sizes)
  • ·Flat brush
  • ·Water container
  • ·Palette
  • ·Pencil
  • ·Eraser

optional

  • ·palette knife
  • ·masking fluid
  • ·kneaded eraser

Use high-quality gouache paints for best results. Experiment with different brush sizes to achieve various effects.

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related guides

color theory for painters →how to learn by studying the masters →
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