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home·artworks·Raoucha
Raoucha by Nasreddine Dinet

plate no. 4181

Raoucha

Nasreddine Dinet, 1901

oil, canvasOrientalismnude painting (nu)figurelandscapewaterfabricjewelryfoliage
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of light and shadow on the human form, as well as depicting fabric and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the landscape elements.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the skin tones, mixing a range of values and hues to capture the subtle variations in color.

  4. step 04

    Develop the background landscape, paying attention to the atmospheric perspective and the rendering of foliage and rocks.

  5. step 05

    Paint the fabric, focusing on the folds and drapery, and the way light interacts with the material.

  6. step 06

    Add the details of the jewelry and other accessories, using small brushes to capture the intricate designs.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · ultramarine blue · viridian green · cadmium yellow light

Skin tones are achieved through subtle mixes of white, yellow ochre, burnt sienna, and alizarin crimson. Greens are created by mixing blues and yellows, and adjusting with browns.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·fabric rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly saturated or artificial-looking skin tones.
  • →Lack of depth and atmospheric perspective in the landscape.
  • →Poor rendering of fabric folds and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a toned canvas to help establish values.

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