apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Quiet Moonlight (beyond Catalina Island)
Quiet Moonlight (beyond Catalina Island) by Granville Redmond

plate no. 8194

Quiet Moonlight (beyond Catalina Island)

Granville Redmond

oilTonalismmarinaseaskymoonwaveshorizonmountains
suitable for beginners

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and mood. It also provides practice in capturing the subtle reflections of light on water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a neutral toned ground.

  2. step 02

    Lightly sketch the horizon line and the basic shapes of the mountains and waves.

  3. step 03

    Block in the sky with a thin wash of muted greens and yellows, creating a subtle gradient.

  4. step 04

    Paint the sea with varying shades of blue-green, using horizontal strokes to suggest the water's surface.

  5. step 05

    Add the distant mountains with a light gray-purple hue.

  6. step 06

    Carefully paint the moon using a soft yellow, blending the edges to create a glow.

  7. step 07

    Add highlights to the waves using white mixed with a touch of the sea color.

  8. step 08

    Refine the details and blend the colors to create a soft, atmospheric effect.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · sap green · raw sienna

Mix muted greens and yellows for the sky by combining yellow ochre, ultramarine blue, and titanium white. Achieve the sea color by blending ultramarine blue, yellow ochre, and a touch of burnt umber. Use titanium white to lighten the colors and create highlights.

techniques

  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the colors and losing the subtle gradations.
  • →Creating harsh lines instead of soft transitions.
  • →Making the highlights too bright and unnatural.
  • →Ignoring the atmospheric perspective and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface for easier blending. Thin the oil paints with linseed oil to create a smoother consistency.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez

Near Conway, North Wales

Near Conway, North Wales

Alexander Helwig Wyant