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home·artworks·Queen Tomyris
Queen Tomyris by Andrea del Castagno

plate no. 9185

Queen Tomyris

Andrea del Castagno, 1450

frescoEarly Renaissanceportraitfigureportraitarmordresscrownspear
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in painting metallic textures and decorative patterns.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the figure's proportions and pose.

  2. step 02

    Block in the main shapes of the dress, armor, and background with diluted washes of color.

  3. step 03

    Begin adding layers of color to the dress, building up the folds and shadows.

  4. step 04

    Paint the armor, paying attention to the highlights and reflections.

  5. step 05

    Add details to the face, hair, and crown.

  6. step 06

    Create the decorative background with small brushstrokes.

  7. step 07

    Refine the details of the spear and the frame.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the dress color by mixing burnt sienna with small amounts of raw umber and white. Use ultramarine blue and white for the armor, adding touches of black for shadows. Mix yellow ochre and white for the hair and crown.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·hatching

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Making the colors too saturated and bright.
  • →Failing to create a sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·burnt sienna
  • ·raw umber
  • ·titanium white
  • ·ultramarine blue
  • ·yellow ochre
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·glazing medium
  • ·retarder

Using a toned canvas can help to establish the overall value range of the painting. Consider using a glazing medium to create smooth transitions and enhance the luminosity of the colors.

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