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home·artworks·Quay du Louvre, Winter
Quay du Louvre, Winter by Edouard Cortes

plate no. 8068

Quay du Louvre, Winter

Edouard Cortes

oilPost-Impressionismcityscapecityscapesnowbuildingsstreetvehiclesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the reflections of light on wet surfaces. It also provides practice in painting architectural details and figures in a loose, impressionistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the placement of the main elements.

  2. step 02

    Establish the overall warm tone of the sky and background with a thin wash of color.

  3. step 03

    Block in the main shapes of the buildings, vehicles, and figures using darker values of brown and gray.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushstrokes.

  5. step 05

    Paint the snow-covered ground, paying attention to the reflections of light and color.

  6. step 06

    Add the bare trees and branches in the foreground using thin lines and a dry brush technique.

  7. step 07

    Refine the details of the figures and vehicles, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as the lights in the buildings and the reflections in the wet street.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · viridian green · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black. Use white to lighten the colors and create highlights. Add small amounts of red and green to create subtle color variations.

techniques

  • ·atmospheric perspective
  • ·wet-on-dry blending
  • ·dry brush texture
  • ·scumbling
  • ·broken color

common pitfalls

  • →overworking details
  • →flattening the perspective
  • →using colors that are too saturated
  • →ignoring the reflections in the wet street

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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