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home·artworks·Purbeck Courtyard, Morning
Purbeck Courtyard, Morning by Frances Hodgkins

plate no. 7142

Purbeck Courtyard, Morning

Frances Hodgkins

oilPost-Impressionismlandscapebuildingscourtyardcatarchitecturestepslandscape
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for warm tones, and simplifying complex scenes into basic shapes. It's also a good exercise in capturing light and shadow with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the buildings, courtyard, and cat.

  2. step 02

    Block in the main color areas using thinned paint, establishing the overall warm tone.

  3. step 03

    Start building up layers of color, focusing on the shadows and highlights to create depth.

  4. step 04

    Use visible brushstrokes to add texture and interest to the buildings and ground.

  5. step 05

    Mix variations of orange, brown, and white to create the different shades and tones.

  6. step 06

    Add details to the cat, focusing on its shape and posture.

  7. step 07

    Refine the details of the buildings and courtyard, adding windows, steps, and other architectural elements.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · sap green

Mix burnt sienna and yellow ochre for the dominant warm tones. Use white to lighten these colors and blue/green to create cooler shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Using too much detail and not simplifying the scene.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#8 flat brush
  • ·#4 round brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for loose brushwork. Consider using a toned canvas to establish the warm undertones.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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