apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Procession in Jaffa
Procession in Jaffa by Gustav Bauernfeind

plate no. 4296

Procession in Jaffa

Gustav Bauernfeind, 1890

oilOrientalismgenre paintingstreet scenearchitecturefiguresmarketflagscityscape
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as understanding atmospheric perspective and color mixing for realistic light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major architectural elements and the horizon line.

  2. step 02

    Establish the main light source and map out areas of light and shadow.

  3. step 03

    Block in the sky and sea with thin washes of color.

  4. step 04

    Begin painting the buildings, starting with the larger shapes and gradually adding details.

  5. step 05

    Add the figures, starting with the larger groups and then refining individual forms.

  6. step 06

    Pay attention to the colors and textures of the market stalls and goods.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches and adjust the overall color balance.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · cadmium red · viridian green · ultramarine blue

Achieve the warm tones of the buildings by mixing yellow ochre, raw umber, and burnt sienna. Create the sky and sea by mixing cerulean blue and titanium white, adding small amounts of ultramarine blue for depth.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, raw umber, burnt sienna, titanium white, cerulean blue, cadmium red, viridian green, ultramarine blue)
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti