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Procession by Charles Cottet

plate no. 5156

Procession

Charles Cottet, 1913

oilPost-Impressionismgenre paintingfigureswomenprocessionlandscapereligiousclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure painting, and creating depth through layering and atmospheric perspective. It also provides practice in capturing subtle variations in skin tones and clothing folds.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background landscape with broad strokes, paying attention to the horizon line and the placement of the statue.

  3. step 03

    Block in the main colors of the figures' clothing and head coverings, using a limited palette.

  4. step 04

    Begin to refine the facial features and hands, paying attention to the light and shadow.

  5. step 05

    Add details to the clothing, such as folds and textures, using short, broken brushstrokes.

  6. step 06

    Refine the background landscape, adding details such as trees and foliage.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition, ensuring that all elements are in harmony.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of blue and umber with white to create the cool tones of the clothing and sky. Use yellow ochre and cadmium red to create the warm tones of the skin and landscape.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the details, which can result in a stiff and unnatural appearance.
  • →Failing to establish a strong value structure, which can result in a flat and lifeless painting.
  • →Ignoring the importance of color temperature, which can result in a painting that lacks harmony.
  • →Not simplifying the background enough, which can distract from the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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