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home·artworks·Princess Bibesco (Marthe Lahovary)
Princess Bibesco (Marthe Lahovary) by Edouard Vuillard

plate no. 7519

Princess Bibesco (Marthe Lahovary)

Edouard Vuillard, 1920

oilIntimismportraitfigureinteriorroomfurniturewindowportrait
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle hues and values, as well as layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and major furniture elements.

  2. step 02

    Block in the large areas of color, starting with the background and walls.

  3. step 03

    Establish the light source and begin to define the shadows and highlights.

  4. step 04

    Develop the details of the figure, paying attention to the folds of the dress and the facial features.

  5. step 05

    Add details to the furniture and other objects in the room, such as the vase of flowers and the tapestry.

  6. step 06

    Refine the colors and values, adjusting the tones to create a harmonious overall effect.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · titanium white · raw umber · rose madder · yellow ochre

secondary · viridian · ultramarine blue · cadmium yellow light

Achieve the subtle pinks and grays by mixing white with small amounts of rose madder, raw umber, and yellow ochre. Use viridian and ultramarine blue to create the greens and blues for the accents.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·color layering
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value contrast.
  • →Getting lost in details too early in the process.
  • →Not stepping back to assess the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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