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home·artworks·Massif near the house
Massif near the house by Edouard Vuillard

plate no. 4726

Massif near the house

Edouard Vuillard, 1907

oil, boardPost-Impressionismlandscapegardenflowerstreeshouselandscapepond
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork, color mixing for natural light effects, and layering techniques to create depth and texture in foliage. It also provides practice in capturing the subtle variations in light and shadow within a garden setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the house, flower bed, and trees.

  2. step 02

    Establish the sky and general background colors with thin washes.

  3. step 03

    Block in the main areas of color for the trees, grass, and house, paying attention to the light and shadow.

  4. step 04

    Begin layering colors and adding texture to the foliage using short, broken brushstrokes.

  5. step 05

    Define the flower bed with small dabs of color, creating a sense of depth and variety.

  6. step 06

    Add details to the house, such as windows and architectural features.

  7. step 07

    Refine the reflections in the pond, using horizontal strokes and muted colors.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

color palette

primary · yellow ochre · sap green · titanium white · cadmium red

secondary · ultramarine blue · burnt umber · raw sienna

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use white to lighten colors and create highlights. Burnt umber can be used to darken greens and create shadows.

techniques

  • ·broken brushstrokes
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Using colors straight from the tube without mixing, leading to a lack of harmony.
  • →Ignoring the subtle variations in light and shadow, making the painting appear flat.
  • →Failing to establish a strong focal point, resulting in a confusing composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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