apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Prince George of Wales, later King George V
Prince George of Wales, later King George V by Luke Fildes

plate no. 1331

Prince George of Wales, later King George V

Luke Fildes, 1892

oilAcademicismportraitportraitfiguremilitary uniformroyaltymalebeard
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones and textures. It also provides practice in depicting complex details like the gold braid and medals.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure within the oval.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the background, skin tones, and uniform.

  3. step 03

    Refine the facial features, paying close attention to the eyes, nose, and mouth to capture the likeness.

  4. step 04

    Develop the details of the uniform, including the gold braid, medals, and buttons, using smaller brushes and more precise strokes.

  5. step 05

    Build up the layers of color and value to create depth and dimension, using techniques like glazing and scumbling.

  6. step 06

    Add highlights and shadows to enhance the form and create a sense of realism.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony and balance of the painting.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · ivory black · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · cadmium red · titanium white

Mix skin tones using yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Create the dark blues of the uniform by mixing ivory black and ultramarine blue. Achieve the gold tones by mixing cadmium yellow, burnt umber, and a touch of cadmium red.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering textures

common pitfalls

  • →Inaccurate proportions leading to a poor likeness.
  • →Overworking the details before establishing the overall values.
  • →Using colors that are too saturated or unnatural.
  • →Failing to create a sense of depth and dimension.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus